HomoMorphosis:
An exhibition framework moving from panopticon/simulacra toward quantum awareness—through a silkworm metaphor.
Overview
Rooted in the reproducibility of printmaking, the work investigates how images are generated, repeated, dismantled, and reassembled through technical processes. Rather than treating prints as fixed outcomes, the series approaches printmaking as a temporal system—one in which mechanical repetition, material resistance, and human intervention continuously reshape form. Through acts of fragmentation and creative destruction, images undergo transformation, revealing latent structures embedded within the process itself. Time is not merely recorded but compressed and layered within the work, as each stage of reproduction introduces variation, erosion, and displacement. This exploration of multiplicity and instability became the conceptual foundation for the artist’s transition into media art. By extending the logic of printmaking into digital and computational environments, the series opens toward a media-based conception of time—where images no longer exist as static objects, but as evolving states shaped by technological mediation.
Details
For high-res images, tech rider, and screening/exhibition requests: triplestitch@naver.com